Everybody Knows by Dosem cover art

Everybody Knows

Dosem

30s preview

Key
11A · F♯ minor
BPM
125
Open Key
4m
Energy
82/100
Pop
0/100
Length
7:48
Released
2012
Genre
Techno
Loudness
-6.7 dB
Dynamics
12.2 dB
ISRC
DEAA21200100

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in F♯ minor (11A), Everybody Knows is a club-tempo techno production. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Dosem's catalogue.

Low end:
more treble-tilted than 93% of Dosem's catalogue
Groove:
groovier than 85% of Dosem's catalogue
Brightness:
brighter than 75% of Dosem's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood37Balanced
Groove80
Acoustic0
Instrumental94
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Everybody Knows in?

Everybody Knows by Dosem is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Everybody Knows?

Everybody Knows runs at 125 BPM, a club-tempo track.

What mixes well with Everybody Knows?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Everybody Knows good for peak time?

With energy 82 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

More from Dosem

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#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track