Two Minds - FineArt Remix
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 97/100
- Pop
- 5/100
- Length
- 6:05
- Released
- 2015
- Album
- Two Minds (Remixes)
- Genre
- Dubstep
- Loudness
- -4.6 dB
- Dynamics
- 14.9 dB
- ISRC
- GBUM71505300
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Two Minds - Nero '92 Minds Remixremix11A · 122
- Two Minds - Dimension Remixremix11A · 174
- Two Minds - David Zowie Remixremix10A · 124
- Two Mindsoriginal11A · 124
Against the original (11A at 124 BPM), this version runs 4 BPM faster in the same key.
A peak-time tempo dubstep cut, Two Minds - FineArt Remix sits in F♯ minor (11A) at 128 BPM. It reads as bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. Brighter than 97% of Nero's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 93% of Nero's catalogue
- Low end:
- more treble-tilted than 90% of Nero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Two Minds - FineArt Remix in?
Two Minds - FineArt Remix by Nero is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Two Minds - FineArt Remix?
Two Minds - FineArt Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Two Minds - FineArt Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Two Minds - FineArt Remix good for peak time?
With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Niton [The Reason] - Original Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More dubstep
More from Nero
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
