Flash - Nicky Romero Remix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 5:41
- Released
- 2010
- Album
- Flash (Remixes)
- Genre
- Techno
- Loudness
- -4.7 dB
- Dynamics
- 11.0 dB
- ISRC
- USCEI1020416
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Flash - Eats Everything Remixremix11A · 128
- Flash - Original Mixoriginal11A · 128
- Flash - Latmun Remixremix3B · 124
- Flash - Loco & Jam Remixremix2B · 125
- Flash - Alberto Ruiz Remixremix8B · 128
- Flash - Oliver Dollar Remixremix3A · 124
Against the original (11A at 128 BPM), this version holds the same tempo and moves the key from 11A to 10A.
At 128 BPM in B minor (10A), Flash - Nicky Romero Remix is a peak-time tempo techno production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2010 production that still circulates in sets. More underground than 99% of Green Velvet's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 90% of Green Velvet's catalogue
- Low end:
- more treble-tilted than 76% of Green Velvet's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Flash - Nicky Romero Remix in?
Flash - Nicky Romero Remix by Green Velvet is in B minor, or 10A on the Camelot wheel.
What BPM is Flash - Nicky Romero Remix?
Flash - Nicky Romero Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Flash - Nicky Romero Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Flash - Nicky Romero Remix good for peak time?
With energy 98 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Green Velvet
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
