
Different - Nathan Alzon Remix
30s preview
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 98/100
- Pop
- 1/100
- Length
- 5:02
- Released
- 2021
- Album
- Different EP
- Genre
- Tech House
- Loudness
- -8.6 dB
- Dynamics
- 10.9 dB
- ISRC
- NLCK41094194
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Differentoriginal10A · 128
- Different - LaRosa Remixremix10A · 131
- Different - Telikko Remixremix8A · 127
Against the original (10A at 128 BPM), this version holds the same tempo and moves the key from 10A to 9A.
Different - Nathan Alzon Remix is a peak-time tempo tech house track in E minor (9A) at 128 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 99% of Rich NxT's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 89% of Rich NxT's catalogue
- Groove:
- less groove-driven than 75% of Rich NxT's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Different - Nathan Alzon Remix in?
Different - Nathan Alzon Remix by Rich NxT is in E minor, or 9A on the Camelot wheel.
What BPM is Different - Nathan Alzon Remix?
Different - Nathan Alzon Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Different - Nathan Alzon Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Different - Nathan Alzon Remix good for peak time?
With energy 98 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Rich NxT
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.