Salope (Original Mix) by Worakls cover art

Salope (Original Mix)

Worakls

Key
11A · F♯ minor
BPM
128
Open Key
4m
Energy
97/100
Pop
7/100
Length
6:04
Released
2010
Genre
Tech House
Loudness
-4.0 dB
ISRC
ITS750802008

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Salope (Original Mix): peak-time tempo tech house, F♯ minor (11A), 128 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Hotter than 97% of Worakls's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 95% of Worakls's catalogue
Groove:
groovier than 86% of Worakls's catalogue
Reach:
more underground than 80% of Worakls's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood56Balanced
Groove80
Acoustic1
Instrumental88
Live8
Speech14

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Salope (Original Mix) in?

Salope (Original Mix) by Worakls is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Salope (Original Mix)?

Salope (Original Mix) runs at 128 BPM, a peak-time tempo track.

What mixes well with Salope (Original Mix)?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Salope (Original Mix) good for peak time?

With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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