U1B - Alessandro Diga 'Too High' Mix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 7:15
- Released
- 2012
- Album
- U1B
- Genre
- Progressive House
- Loudness
- -9.7 dB
- Dynamics
- 9.0 dB
- ISRC
- US83Z1204255
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- U1Boriginal3B · 128
- U1B - Gran Cavaliere Remixremix2B · 126
- U1B - Jonas Afonso Remixremix4A · 123
- U1B - Original Mixoriginal3B · 128
U1B - Alessandro Diga 'Too High' Mix runs 128 BPM in B minor (10A), a peak-time tempo progressive house record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. More underground than 99% of Kobana's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 98% of Kobana's catalogue
- Tempo:
- faster than 88% of Kobana's catalogue
- Low end:
- more bass-heavy than 87% of Kobana's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is U1B - Alessandro Diga 'Too High' Mix in?
U1B - Alessandro Diga 'Too High' Mix by Kobana is in B minor, or 10A on the Camelot wheel.
What BPM is U1B - Alessandro Diga 'Too High' Mix?
U1B - Alessandro Diga 'Too High' Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with U1B - Alessandro Diga 'Too High' Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is U1B - Alessandro Diga 'Too High' Mix good for peak time?
With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Kobana
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
