Hear the Colors
30s preview
- BPM
- 126
- Open Key
- 4d
- Energy
- 64/100
- Pop
- 5/100
- Length
- 7:07
- Released
- 2021
- Genre
- Progressive House
- Label
- Silk Digital Records
- Loudness
- -8.1 dB
- Dynamics
- 23.9 dB
- ISRC
- US83Z1208415
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hear The Colors - Matt Fax Remixremix12B · 126
- Hear The Colors - Oleg Izergin Remixremix12A · 126
- Hear The Colors - Dapple Apple Remixremix11A · 126
A club-tempo progressive house cut, Hear the Colors sits in A major (11B) at 126 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 24 dB). More treble-tilted than 97% of Kobana's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- better known than 95% of Kobana's catalogue
- Groove:
- less groove-driven than 76% of Kobana's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Hear the Colors in?
Hear the Colors by Kobana is in A major, or 11B on the Camelot wheel.
What BPM is Hear the Colors?
Hear the Colors runs at 126 BPM, a club-tempo track.
What mixes well with Hear the Colors?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Hear the Colors good for peak time?
With energy 64 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Kobana
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
