Dumb & Clyde
30s preview
- BPM
- 126
- Open Key
- 9d
- Energy
- 64/100
- Pop
- 6/100
- Length
- 6:29
- Released
- 2011
- Genre
- Progressive House
- Label
- WOH Lab
- Loudness
- -10.2 dB
- Dynamics
- 10.6 dB
- ISRC
- FR6V80680531
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dumb & Clyde - Don't Tech No For an Answer Mixoriginal9A · 125
- Dumb & Clyde - Freez Funk Mixoriginal5A · 122
Dumb & Clyde is a club-tempo progressive house track in A♭ major (4B) at 126 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More bass-heavy than 91% of Joris Delacroix's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Dumb & Clyde in?
Dumb & Clyde by Joris Delacroix is in A♭ major, or 4B on the Camelot wheel.
What BPM is Dumb & Clyde?
Dumb & Clyde runs at 126 BPM, a club-tempo track.
What mixes well with Dumb & Clyde?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Dumb & Clyde good for peak time?
With energy 64 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Joris Delacroix
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
