We Are - In Stereo Remix
- BPM
- 126
- Open Key
- 8m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 3:39
- Released
- 2014
- Album
- We Are (Heartbeats Remix Competition)
- Genre
- Progressive House
- Loudness
- -11.2 dB
- ISRC
- s201405149
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are - Radio Editversion3B · 126
- We Are - Radio Editversion3B · 126
- We Are - Originaloriginal3B · 126
- We Are - Alen Sami & House Headoriginal1A · 126
- We Are - Fred Issue & Vikstrom Remixremix3B · 126
- We Are - Jakob Trice Remixremix3B · 126
Against the original (3B at 126 BPM), this version holds the same tempo and moves the key from 3B to 3A.
A club-tempo progressive house cut, We Are - In Stereo Remix sits in B♭ minor (3A) at 126 BPM. The feel is dark and driving. It is vocal-led. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Sebjak's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 89% of Sebjak's catalogue
- Energy:
- calmer than 84% of Sebjak's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Are - In Stereo Remix in?
We Are - In Stereo Remix by Sebjak is in B♭ minor, or 3A on the Camelot wheel.
What BPM is We Are - In Stereo Remix?
We Are - In Stereo Remix runs at 126 BPM, a club-tempo track.
What mixes well with We Are - In Stereo Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is We Are - In Stereo Remix good for peak time?
With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Sebjak
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
