Deep End (SIDEPIECE extended remix)
30s preview
- BPM
- 126
- Open Key
- 3m
- Energy
- 67/100
- Pop
- 56/100
- Length
- 3:17
- Released
- 2020
- Genre
- House
- Loudness
- -9.1 dB
- Dynamics
- 12.5 dB
- ISRC
- GBCPZ2018743
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Deep End - SIDEPIECE Remixremix10A · 126
- Deep End - Black V Neck Remixremix9B · 123
- Deep End - Black V Neck Extended Remixremix9B · 123
- Deep Endoriginal12A · 126
- Deep End - Extended Mixversion10A · 126
Against the original (12A at 126 BPM), this version holds the same tempo and moves the key from 12A to 10A.
Deep End (SIDEPIECE extended remix) is a club-tempo house track in B minor (10A) at 126 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 95% of John Summit's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 81% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Deep End (SIDEPIECE extended remix) in?
Deep End (SIDEPIECE extended remix) by John Summit is in B minor, or 10A on the Camelot wheel.
What BPM is Deep End (SIDEPIECE extended remix)?
Deep End (SIDEPIECE extended remix) runs at 126 BPM, a club-tempo track.
What mixes well with Deep End (SIDEPIECE extended remix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Deep End (SIDEPIECE extended remix) good for peak time?
With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
