Third Eye by Pan-Pot cover art

Third Eye

Pan-Pot

30s preview

Key
9B · G major
BPM
126
Open Key
2d
Energy
67/100
Pop
0/100
Length
7:45
Released
2014
Album
Cells
Genre
Techno
Loudness
-10.7 dB
Dynamics
8.9 dB
ISRC
DESR41400002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Third Eye: club-tempo techno, G major (9B), 126 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Pan-Pot's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 85% of Pan-Pot's catalogue
Brightness:
brighter than 76% of Pan-Pot's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood37Balanced
Groove81
Acoustic0
Instrumental92
Live11
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
47%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Third Eye in?

Third Eye by Pan-Pot is in G major, or 9B on the Camelot wheel.

What BPM is Third Eye?

Third Eye runs at 126 BPM, a club-tempo track.

What mixes well with Third Eye?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Third Eye good for peak time?

With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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