Never Dwell on That
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 67/100
- Pop
- 0/100
- Length
- 7:35
- Released
- 2015
- Genre
- Techno
- Loudness
- -10.2 dB
- Dynamics
- 8.7 dB
- ISRC
- GB94U1500158
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Never Dwell on That runs 126 BPM in D♭ major (3B), a club-tempo techno record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Joel Mull's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 93% of Joel Mull's catalogue
- Tempo:
- slower than 76% of Joel Mull's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 51%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 9%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Never Dwell on That in?
Never Dwell on That by Joel Mull is in D♭ major, or 3B on the Camelot wheel.
What BPM is Never Dwell on That?
Never Dwell on That runs at 126 BPM, a club-tempo track.
What mixes well with Never Dwell on That?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Never Dwell on That good for peak time?
With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Joel Mull
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
