In The Yuma (Cloonee's At The Sahara Extended Remix)
30s preview
- BPM
- 126
- Open Key
- 4m
- Energy
- 67/100
- Pop
- 44/100
- Length
- 3:30
- Released
- 2024
- Genre
- Tech House
- Loudness
- -8.2 dB
- Dynamics
- 8.8 dB
- ISRC
- USUG12404307
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
In The Yuma (Cloonee's At The Sahara Extended Remix): club-tempo tech house, F♯ minor (11A), 126 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 92% of Cloonee's catalogue.
- Energy:
- calmer than 79% of Cloonee's catalogue
- Reach:
- better known than 79% of Cloonee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is In The Yuma (Cloonee's At The Sahara Extended Remix) in?
In The Yuma (Cloonee's At The Sahara Extended Remix) by Cloonee is in F♯ minor, or 11A on the Camelot wheel.
What BPM is In The Yuma (Cloonee's At The Sahara Extended Remix)?
In The Yuma (Cloonee's At The Sahara Extended Remix) runs at 126 BPM, a club-tempo track.
What mixes well with In The Yuma (Cloonee's At The Sahara Extended Remix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is In The Yuma (Cloonee's At The Sahara Extended Remix) good for peak time?
With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Cloonee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
