LIGHTS GO OUT
30s preview
- BPM
- 144
- Half-time
- 72
- Open Key
- 5m
- Energy
- 98/100
- Pop
- 66/100
- Length
- 2:38
- Released
- 2026
- Genre
- Electro House
- Label
- Experts Only
- Loudness
- -4.9 dB
- Dynamics
- 9.6 dB
- ISRC
- USA2P2603449
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
LIGHTS GO OUT runs 144 BPM in D♭ minor (12A), a driving up-tempo electro house record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Darker than 98% of John Summit's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 96% of John Summit's catalogue
- Energy:
- hotter than 95% of John Summit's catalogue
- Reach:
- better known than 92% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is LIGHTS GO OUT in?
LIGHTS GO OUT by John Summit is in D♭ minor, or 12A on the Camelot wheel.
What BPM is LIGHTS GO OUT?
LIGHTS GO OUT runs at 144 BPM, a driving up-tempo track.
What mixes well with LIGHTS GO OUT?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is LIGHTS GO OUT good for peak time?
With energy 98 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 144 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More electro house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
