Turn Back Time - Bro Safari & Etc! Etc! Remix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 6m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 4:09
- Released
- 2013
- Album
- Turn Back Time
- Genre
- Drum N Bass
- Loudness
- -2.4 dB
- Dynamics
- 10.9 dB
- ISRC
- GBUM71308544
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Turn Back Timeoriginal3B · 128
- Turn Back Timeoriginal1A · 128
- Turn Back Time - Metrik Remixremix12A · 174
- Turn Back Time - Special Request Remixremix1B · 140
Against the original (3B at 128 BPM), this version runs 12 BPM faster and moves the key from 3B to 1A.
At 140 BPM in A♭ minor (1A), Turn Back Time - Bro Safari & Etc! Etc! Remix is a driving up-tempo drum n bass production. Tonally it lands bright and euphoric. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2013 production that still circulates in sets. More underground than 99% of Sub Focus's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 98% of Sub Focus's catalogue
- Brightness:
- brighter than 96% of Sub Focus's catalogue
- Energy:
- hotter than 95% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Turn Back Time - Bro Safari & Etc! Etc! Remix in?
Turn Back Time - Bro Safari & Etc! Etc! Remix by Sub Focus is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Turn Back Time - Bro Safari & Etc! Etc! Remix?
Turn Back Time - Bro Safari & Etc! Etc! Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Turn Back Time - Bro Safari & Etc! Etc! Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Turn Back Time - Bro Safari & Etc! Etc! Remix good for peak time?
With energy 99 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 140 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
