All Is Fair in Love and Brostep
30s preview
- Key
- 1B · B major
- BPM
- 140
- Half-time
- 70
- Open Key
- 6d
- Energy
- 93/100
- Pop
- 55/100
- Length
- 4:09
- Released
- 2014
- Genre
- Dubstep
- Loudness
- -3.2 dB
- Dynamics
- 10.3 dB
- ISRC
- USAT21400798
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All Is Fair in Love and Brostep (with Ragga Twins)original1B · 140
All Is Fair in Love and Brostep: driving up-tempo dubstep, B major (1B), 140 BPM. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Better known than 84% of Skrillex's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All Is Fair in Love and Brostep in?
All Is Fair in Love and Brostep by Skrillex is in B major, or 1B on the Camelot wheel.
What BPM is All Is Fair in Love and Brostep?
All Is Fair in Love and Brostep runs at 140 BPM, a driving up-tempo track.
What mixes well with All Is Fair in Love and Brostep?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is All Is Fair in Love and Brostep good for peak time?
With energy 93 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 140 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More dubstep
More from Skrillex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
