Feelings Gone - Joachim Garraud Remix
30s preview
- BPM
- 131
- Open Key
- 7d
- Energy
- 94/100
- Pop
- 1/100
- Length
- 8:42
- Released
- 2009
- Album
- Feelings Gone
- Genre
- House
- Label
- XL Recordings
- Loudness
- -4.8 dB
- Dynamics
- 12.9 dB
- ISRC
- GBBKS0900374
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feelings Gone - Spor Remixremix9B · 172
- Feelings Gone - Rusko's Stadium Rock Remixremix4A · 140
- Feelings Goneoriginal6A · 131
- Feelings Gone (Floating Points remix)remix2B · 119
- Feelings Gone - Adrian Lux Intergalactico Dubversion7B · 128
Against the original (6A at 131 BPM), this version holds the same tempo and moves the key from 6A to 2B.
Feelings Gone - Joachim Garraud Remix: peak-time tempo house, F♯ major (2B), 131 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2009 production that still circulates in sets. Faster than 83% of Basement Jaxx's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 81% of Basement Jaxx's catalogue
- Groove:
- groovier than 77% of Basement Jaxx's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Feelings Gone - Joachim Garraud Remix in?
Feelings Gone - Joachim Garraud Remix by Basement Jaxx is in F♯ major, or 2B on the Camelot wheel.
What BPM is Feelings Gone - Joachim Garraud Remix?
Feelings Gone - Joachim Garraud Remix runs at 131 BPM, a peak-time tempo track.
What mixes well with Feelings Gone - Joachim Garraud Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Feelings Gone - Joachim Garraud Remix good for peak time?
With energy 94 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 131 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More house
More from Basement Jaxx
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
