Kill Everybody (Bare Noize Remix)
30s preview
- Key
- 8B · C major
- BPM
- 140
- Half-time
- 70
- Open Key
- 1d
- Energy
- 95/100
- Pop
- 6/100
- Length
- 4:41
- Released
- 2010
- Album
- Scary Monsters And Nice Sprites
- Genre
- Progressive House
- Label
- Mau5trap Recordings
- Loudness
- -3.9 dB
- Dynamics
- 10.4 dB
- ISRC
- GBTDG1000203
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kill Everybodyoriginal8B · 127
Against the original (8B at 127 BPM), this version runs 13 BPM faster in the same key.
A driving up-tempo progressive house cut, Kill Everybody (Bare Noize Remix) sits in C major (8B) at 140 BPM. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2010 production that still circulates in sets. More underground than 84% of Skrillex's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 81% of Skrillex's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Kill Everybody (Bare Noize Remix) in?
Kill Everybody (Bare Noize Remix) by Skrillex is in C major, or 8B on the Camelot wheel.
What BPM is Kill Everybody (Bare Noize Remix)?
Kill Everybody (Bare Noize Remix) runs at 140 BPM, a driving up-tempo track.
What mixes well with Kill Everybody (Bare Noize Remix)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Kill Everybody (Bare Noize Remix) good for peak time?
With energy 95 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 140 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More progressive house
More from Skrillex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
