Stomper (Dr. Fresch Remix)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 4m
- Energy
- 95/100
- Pop
- 12/100
- Length
- 4:31
- Released
- 2015
- Genre
- House
- Loudness
- -4.1 dB
- Dynamics
- 12.9 dB
- ISRC
- USUS11203500
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stomperoriginal11A · 126
- Stomper - Dr. Fresch Remixremix11A · 140
- Stomper - rrotik Remixremix11A · 124
- Stomper - The 1989 Remixremix11A · 126
Against the original (11A at 126 BPM), this version runs 14 BPM faster in the same key.
Stomper (Dr. Fresch Remix) runs 140 BPM in F♯ minor (11A), a driving up-tempo house record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. Faster than 97% of Chris Lake's catalogue.
- Energy:
- hotter than 88% of Chris Lake's catalogue
- Groove:
- less groove-driven than 86% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Stomper (Dr. Fresch Remix) in?
Stomper (Dr. Fresch Remix) by Chris Lake is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Stomper (Dr. Fresch Remix)?
Stomper (Dr. Fresch Remix) runs at 140 BPM, a driving up-tempo track.
What mixes well with Stomper (Dr. Fresch Remix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Stomper (Dr. Fresch Remix) good for peak time?
With energy 95 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 140 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
