Between The Lines
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3d
- Energy
- 93/100
- Pop
- 13/100
- Length
- 4:38
- Released
- 2019
- Genre
- House
- Loudness
- -8.4 dB
- Dynamics
- 11.6 dB
- ISRC
- USRC11903567
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Between The Lines - Zimmer Remixremix10B · 122
- Between The Linesoriginal11B · 122
Between The Lines runs 140 BPM in D major (10B), a driving up-tempo house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 97% of Amtrac's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 97% of Amtrac's catalogue
- Groove:
- less groove-driven than 96% of Amtrac's catalogue
- Tempo:
- faster than 92% of Amtrac's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Between The Lines in?
Between The Lines by Amtrac is in D major, or 10B on the Camelot wheel.
What BPM is Between The Lines?
Between The Lines runs at 140 BPM, a driving up-tempo track.
What mixes well with Between The Lines?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Between The Lines good for peak time?
With energy 93 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 140 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More house
More from Amtrac
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
