Crush On You - Single Version
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 8d
- Energy
- 92/100
- Pop
- 16/100
- Length
- 2:48
- Released
- 2011
- Album
- Crush On You EP
- Genre
- Dubstep
- Loudness
- -3.1 dB
- Dynamics
- 10.4 dB
- ISRC
- GBUM71108217
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Crush On You - Knife Party Remixremix3A · 174
- Crush On You - KillSonik Remixremix3B · 140
- Crush On You - Brodinski Remixremix4A · 128
- Crush on Youoriginal3B · 140
Crush On You - Single Version is a driving up-tempo dubstep track in D♭ major (3B) at 140 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Brighter than 92% of Nero's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 78% of Nero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Crush On You - Single Version in?
Crush On You - Single Version by Nero is in D♭ major, or 3B on the Camelot wheel.
What BPM is Crush On You - Single Version?
Crush On You - Single Version runs at 140 BPM, a driving up-tempo track.
What mixes well with Crush On You - Single Version?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Crush On You - Single Version good for peak time?
With energy 92 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 140 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More dubstep
More from Nero
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
