Falling Down - VIP
30s preview
- Key
- 4A · F minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 9m
- Energy
- 88/100
- Pop
- 10/100
- Length
- 4:36
- Released
- 2012
- Album
- Falling Down
- Genre
- Dubstep
- Label
- Owsla
- Loudness
- -5.5 dB
- Dynamics
- 13.8 dB
- ISRC
- USQY51281868
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Falling Down - xKore Remixremix3B · 175
- Falling Downoriginal4A · 140
- Falling Down (VIP)original4A · 140
- Falling Down - Nick Thayer Remixremix4A · 220
Against the original (4A at 140 BPM), this version holds the same tempo in the same key.
A driving up-tempo dubstep cut, Falling Down - VIP sits in F minor (4A) at 140 BPM. The feel is dark and driving. The groove is loose and less beat-driven. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Less groove-driven than 95% of Sub Focus's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 93% of Sub Focus's catalogue
- Tempo:
- slower than 81% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Falling Down - VIP in?
Falling Down - VIP by Sub Focus is in F minor, or 4A on the Camelot wheel.
What BPM is Falling Down - VIP?
Falling Down - VIP runs at 140 BPM, a driving up-tempo track.
What mixes well with Falling Down - VIP?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Falling Down - VIP good for peak time?
With energy 88 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 140 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More dubstep
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
