
Go Back
30s preview
- Key
- 6A · G minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 11m
- Energy
- 87/100
- Pop
- 58/100
- Length
- 3:30
- Released
- 2024
- Genre
- Drum N Bass
- Label
- Experts Only
- Loudness
- -1.3 dB
- Dynamics
- 9.5 dB
- ISRC
- USUG12406518
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Go Back runs 145 BPM in G minor (6A), a driving up-tempo drum n bass record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 96% of Sub Focus's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more bass-heavy than 89% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Go Back in?
Go Back by Sub Focus is in G minor, or 6A on the Camelot wheel.
What BPM is Go Back?
Go Back runs at 145 BPM, a driving up-tempo track.
What mixes well with Go Back?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Go Back good for peak time?
With energy 87 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 145 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.