Ready to Fly by Sub Focus cover art

Ready to Fly

Sub Focus

Key
1A · A♭ minor
BPM
174
Half-time
87
Open Key
6m
Energy
97/100
Pop
54/100
Length
3:25
Released
2022
Genre
Drum N Bass
Label
EMI
Loudness
-0.4 dB
ISRC
GBUM72206309

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Ready to Fly: drum n bass, A♭ minor (1A), 174 BPM. The master is loud and heavily compressed. Better known than 93% of Sub Focus's catalogue.

Low end:
more treble-tilted than 85% of Sub Focus's catalogue
Energy:
hotter than 84% of Sub Focus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood37Balanced
Groove48
Acoustic4
Instrumental40
Live19
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Ready to Fly in?

Ready to Fly by Sub Focus is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Ready to Fly?

Ready to Fly runs at 174 BPM.

What mixes well with Ready to Fly?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Ready to Fly good for peak time?

With energy 97 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 174 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

More drum n bass

More from Sub Focus

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track