The Unknown by Nero cover art

The Unknown

Nero

30s preview

Key
10B · D major
BPM
172
Half-time
86
Open Key
3d
Energy
96/100
Pop
31/100
Length
4:01
Released
2024
Genre
Drum N Bass
Label
2808 Recordings
Loudness
-3.2 dB
Dynamics
13.2 dB
ISRC
CA5KR2475873

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

The Unknown is a drum n bass track in D major (10B) at 172 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Less groove-driven than 92% of Nero's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
darker than 90% of Nero's catalogue
Energy:
hotter than 87% of Nero's catalogue
Tempo:
faster than 83% of Nero's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood4Dark
Groove21
Acoustic0
Instrumental59
Live20
Speech15

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is The Unknown in?

The Unknown by Nero is in D major, or 10B on the Camelot wheel.

What BPM is The Unknown?

The Unknown runs at 172 BPM.

What mixes well with The Unknown?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is The Unknown good for peak time?

With energy 96 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 172 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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