Get On Up
- BPM
- 174
- Half-time
- 87
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 12/100
- Length
- 5:59
- Released
- 2004
- Genre
- Drum N Bass
- Loudness
- -4.5 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get On Uporiginal10A · 174
Get On Up is a drum n bass track in B minor (10A) at 174 BPM. The feel is bright and euphoric. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2004 production that still circulates in sets. Brighter than 99% of Sub Focus's catalogue.
- Energy:
- hotter than 79% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get On Up in?
Get On Up by Sub Focus is in B minor, or 10A on the Camelot wheel.
What BPM is Get On Up?
Get On Up runs at 174 BPM.
What mixes well with Get On Up?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Get On Up good for peak time?
With energy 96 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![All You Ever Wanted (Sub Focus Remix) [Radio Edit] by Sub Focus cover art](https://i.scdn.co/image/ab67616d00001e02e01e4e10a43705a29f6a46c9){kind=small}
How to mix it
In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
