Nobody Knows by Sub Focus cover art

Nobody Knows

Sub Focus

30s preview

Key
2A · E♭ minor
BPM
174
Half-time
87
Open Key
7m
Energy
93/100
Pop
0/100
Length
4:32
Released
2016
Genre
Drum N Bass
Loudness
-2.6 dB
Dynamics
12.2 dB
ISRC
GBUM71605394

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Nobody Knows: drum n bass, E♭ minor (2A), 174 BPM. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. More underground than 99% of Sub Focus's catalogue. In a set it works best as an opener or closing-set piece.

Low end:
more treble-tilted than 96% of Sub Focus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood19Dark
Groove46
Acoustic10
Instrumental5
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Nobody Knows in?

Nobody Knows by Sub Focus is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Nobody Knows?

Nobody Knows runs at 174 BPM.

What mixes well with Nobody Knows?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Nobody Knows good for peak time?

With energy 93 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#Track

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 174 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track