You Make It Better by Sub Focus cover art

You Make It Better

Sub Focus

30s preview

Key
3B · D♭ major
BPM
174
Half-time
87
Open Key
8d
Energy
95/100
Pop
8/100
Length
5:58
Released
2013
Genre
Drum N Bass
Loudness
-4.1 dB
Dynamics
13.2 dB
ISRC
GBUM71305652

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

You Make It Better runs 174 BPM in D♭ major (3B), a drum n bass record. The feel is dark and driving. Vocals read as voice. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. More treble-tilted than 99% of Sub Focus's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
darker than 86% of Sub Focus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood7Dark
Groove51
Acoustic1
Instrumental39
Live6
Speech6
darkpartyvoice

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
24%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is You Make It Better in?

You Make It Better by Sub Focus is in D♭ major, or 3B on the Camelot wheel.

What BPM is You Make It Better?

You Make It Better runs at 174 BPM.

What mixes well with You Make It Better?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is You Make It Better good for peak time?

With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 174 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track