Ready To Fly - Hardcore Mix
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 6m
- Energy
- 95/100
- Pop
- 47/100
- Length
- 2:57
- Released
- 2022
- Album
- Ready To Fly (Hardcore Mix)
- Genre
- Drum N Bass
- Loudness
- -2.3 dB
- Dynamics
- 9.4 dB
- ISRC
- GBUM72208256
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ready to Flyoriginal1A · 174
- Ready To Fly - Spencer Ramsay Bounce Editversion10A · 160
- Ready To Flyoriginal1A · 174
- Ready To Fly - NGHTMRE Remixremix1A · 145
At 174 BPM in A♭ minor (1A), Ready To Fly - Hardcore Mix is a drum n bass production. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 86% of Sub Focus's catalogue.
- Brightness:
- brighter than 82% of Sub Focus's catalogue
- Low end:
- more bass-heavy than 79% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Ready To Fly - Hardcore Mix in?
Ready To Fly - Hardcore Mix by Sub Focus is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Ready To Fly - Hardcore Mix?
Ready To Fly - Hardcore Mix runs at 174 BPM.
What mixes well with Ready To Fly - Hardcore Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Ready To Fly - Hardcore Mix good for peak time?
With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 174 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
