On & On by Sub Focus cover art

On & On

Sub Focus

30s preview

Key
2A · E♭ minor
BPM
174
Half-time
87
Open Key
7m
Energy
94/100
Pop
69/100
Length
3:05
Released
2025
Genre
Drum N Bass
Label
Positiva
Loudness
0.1 dB
Dynamics
10.2 dB
ISRC
GBUM72500754

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A drum n bass cut, On & On sits in E♭ minor (2A) at 174 BPM. It reads as punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. Better known than 99% of Sub Focus's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
groovier than 77% of Sub Focus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood36Balanced
Groove63
Acoustic10
Instrumental1
Live20
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is On & On in?

On & On by Sub Focus is in E♭ minor, or 2A on the Camelot wheel.

What BPM is On & On?

On & On runs at 174 BPM.

What mixes well with On & On?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is On & On good for peak time?

With energy 94 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#Track

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 174 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track