
On & On
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 7m
- Energy
- 94/100
- Pop
- 69/100
- Length
- 3:05
- Released
- 2025
- Genre
- Drum N Bass
- Label
- Positiva
- Loudness
- 0.1 dB
- Dynamics
- 10.2 dB
- ISRC
- GBUM72500754
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On & On - Kanine Remixremix4B · 174
- On & On - Taiki Nulight Remixremix2A · 140
- On & On - Ely Oaks Remixremix2A · 155
- On & On - Extended Editversion2A · 174
- On & On - nimino Remixremix5A · 140
- On & On - Y U QT Remixremix2A · 140
A drum n bass cut, On & On sits in E♭ minor (2A) at 174 BPM. It reads as punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. Better known than 99% of Sub Focus's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- groovier than 77% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is On & On in?
On & On by Sub Focus is in E♭ minor, or 2A on the Camelot wheel.
What BPM is On & On?
On & On runs at 174 BPM.
What mixes well with On & On?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is On & On good for peak time?
With energy 94 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 174 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.