Off the Ground by Sub Focus cover art

Off the Ground

Sub Focus

30s preview

Key
5A · C minor
BPM
174
Half-time
87
Open Key
10m
Energy
80/100
Pop
53/100
Length
4:03
Released
2022
Genre
Drum N Bass
Label
EMI
Loudness
-3.5 dB
Dynamics
11.5 dB
ISRC
GBUM72202989

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Off the Ground runs 174 BPM in C minor (5A), a drum n bass record. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 92% of Sub Focus's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
darker than 88% of Sub Focus's catalogue
Energy:
calmer than 83% of Sub Focus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood6Dark
Groove57
Acoustic3
Instrumental8
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Off the Ground in?

Off the Ground by Sub Focus is in C minor, or 5A on the Camelot wheel.

What BPM is Off the Ground?

Off the Ground runs at 174 BPM.

What mixes well with Off the Ground?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Off the Ground good for peak time?

With energy 80 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#Track

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 174 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#Track

More drum n bass

More from Sub Focus

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track