Ghosts 'n' Stuff - Sub Focus Remix
30s preview
- Key
- 4A · F minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 9m
- Energy
- 82/100
- Pop
- 22/100
- Length
- 4:26
- Released
- 2010
- Album
- Ghosts n Stuff (Sub Focus Remix)
- Genre
- Drum N Bass
- Loudness
- -4.4 dB
- Dynamics
- 11.4 dB
- ISRC
- USUS11000629
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 174 BPM in F minor (4A), Ghosts 'n' Stuff - Sub Focus Remix is a drum n bass production. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2010 production that still circulates in sets. More bass-heavy than 82% of Sub Focus's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- calmer than 77% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Ghosts 'n' Stuff - Sub Focus Remix in?
Ghosts 'n' Stuff - Sub Focus Remix by Sub Focus is in F minor, or 4A on the Camelot wheel.
What BPM is Ghosts 'n' Stuff - Sub Focus Remix?
Ghosts 'n' Stuff - Sub Focus Remix runs at 174 BPM.
What mixes well with Ghosts 'n' Stuff - Sub Focus Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Ghosts 'n' Stuff - Sub Focus Remix good for peak time?
With energy 82 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 174 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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