On & On - Taiki Nulight Remix
- BPM
- 140
- Half-time
- 70
- Open Key
- 7m
- Energy
- 62/100
- Pop
- 54/100
- Length
- 3:41
- Released
- 2025
- Album
- On & On (Taiki Nulight Remix)
- Genre
- Drum N Bass
- Loudness
- -5.0 dB
- ISRC
- GBUM72503052
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On & Onoriginal2A · 174
- On & On - Kanine Remixremix4B · 174
- On & On - Ely Oaks Remixremix2A · 155
- On & On - Extended Editversion2A · 174
- On & On - nimino Remixremix5A · 140
- On & On - Y U QT Remixremix2A · 140
Against the original (2A at 174 BPM), this version runs 34 BPM slower in the same key.
On & On - Taiki Nulight Remix is a driving up-tempo drum n bass track in E♭ minor (2A) at 140 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 98% of Sub Focus's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- better known than 93% of Sub Focus's catalogue
- Groove:
- groovier than 90% of Sub Focus's catalogue
- Low end:
- more bass-heavy than 89% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is On & On - Taiki Nulight Remix in?
On & On - Taiki Nulight Remix by Sub Focus is in E♭ minor, or 2A on the Camelot wheel.
What BPM is On & On - Taiki Nulight Remix?
On & On - Taiki Nulight Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with On & On - Taiki Nulight Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is On & On - Taiki Nulight Remix good for peak time?
With energy 62 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
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How to mix it
In 2A at 140 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
