Tears by Skrillex cover art

30s preview

Key
4A · F minor
BPM
140
Half-time
70
Open Key
9m
Energy
63/100
Pop
0/100
Length
3:06
Released
2023
Genre
Dubstep
Loudness
-5.3 dB
Dynamics
8.1 dB
ISRC
USAT22300825

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 140 BPM in F minor (4A), Tears is a driving up-tempo dubstep production. It reads as punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Skrillex's catalogue. For programming, treat it as a high-intensity peak cut.

Low end:
more bass-heavy than 96% of Skrillex's catalogue
Energy:
calmer than 87% of Skrillex's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood37Balanced
Groove70
Acoustic0
Instrumental20
Live11
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Tears in?

Tears by Skrillex is in F minor, or 4A on the Camelot wheel.

What BPM is Tears?

Tears runs at 140 BPM, a driving up-tempo track.

What mixes well with Tears?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Tears good for peak time?

With energy 63 out of 100 at 140 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 140 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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