Symphony 2808 - Live At Radio 1, Salford/2011
- Key
- 6A · G minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 11m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 17:35
- Released
- 2011
- Genre
- Dubstep
- Loudness
- -8.8 dB
- ISRC
- GBUM71105474
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Symphony 2808 - Live At Radio 1, Salford/2011 runs 140 BPM in G minor (6A), a driving up-tempo dubstep record. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Nero's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 90% of Nero's catalogue
- Groove:
- less groove-driven than 90% of Nero's catalogue
- Brightness:
- darker than 81% of Nero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Symphony 2808 - Live At Radio 1, Salford/2011 in?
Symphony 2808 - Live At Radio 1, Salford/2011 by Nero is in G minor, or 6A on the Camelot wheel.
What BPM is Symphony 2808 - Live At Radio 1, Salford/2011?
Symphony 2808 - Live At Radio 1, Salford/2011 runs at 140 BPM, a driving up-tempo track.
What mixes well with Symphony 2808 - Live At Radio 1, Salford/2011?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Symphony 2808 - Live At Radio 1, Salford/2011 good for peak time?
With energy 67 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 140 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More dubstep
More from Nero
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
