Playing With Fire - T-Mass Remix
30s preview
- Key
- 8A · A minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 1m
- Energy
- 77/100
- Pop
- 8/100
- Length
- 4:30
- Released
- 2015
- Album
- Playing With Fire (Remixes)
- Genre
- Progressive House
- Label
- Enhanced Recordings
- Loudness
- -4.9 dB
- Dynamics
- 12.3 dB
- ISRC
- GBKQU1588068
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Playing With Fire - C-Systems Acoustic Reworkremix8A · 130
- Playing With Fireoriginal8A · 130
- Playing With Fire - Cuebrick Radio Mixversion8A · 128
- Playing With Fire - Original Mixoriginal8A · 130
- Playing With Fire - Alex Klingle Radio Mixversion8A · 130
- Playing With Fire - Lycii & Joe Lyons Radio Mixversion8B · 130
Against the original (8A at 130 BPM), this version runs 10 BPM faster in the same key.
At 140 BPM in A minor (8A), Playing With Fire - T-Mass Remix is a driving up-tempo progressive house production. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. Faster than 99% of Estiva's catalogue.
- Groove:
- less groove-driven than 94% of Estiva's catalogue
- Low end:
- more treble-tilted than 77% of Estiva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Playing With Fire - T-Mass Remix in?
Playing With Fire - T-Mass Remix by Estiva is in A minor, or 8A on the Camelot wheel.
What BPM is Playing With Fire - T-Mass Remix?
Playing With Fire - T-Mass Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Playing With Fire - T-Mass Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Playing With Fire - T-Mass Remix good for peak time?
With energy 77 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 140 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More progressive house
More from Estiva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
