Playing With Fire - Alex Klingle Radio Mix by Estiva cover art

Playing With Fire - Alex Klingle Radio Mix

Estiva

30s preview

Key
8A · A minor
BPM
130
Open Key
1m
Energy
95/100
Pop
2/100
Length
3:15
Released
2015
Album
Playing With Fire (Remixes)
Genre
Progressive House
Label
Enhanced Recordings
Loudness
-6.4 dB
Dynamics
17.8 dB
ISRC
GBKQU1592603

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8A at 130 BPM), this version holds the same tempo in the same key.

Playing With Fire - Alex Klingle Radio Mix runs 130 BPM in A minor (8A), a peak-time tempo progressive house record. It is vocal-led. The master keeps unusual dynamic range for club music (crest 18 dB). A 2015 production that still circulates in sets. Less groove-driven than 84% of Estiva's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 82% of Estiva's catalogue
Energy:
hotter than 80% of Estiva's catalogue
Low end:
more treble-tilted than 79% of Estiva's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood25Dark
Groove50
Acoustic0
Instrumental2
Live46
Speech27

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Playing With Fire - Alex Klingle Radio Mix in?

Playing With Fire - Alex Klingle Radio Mix by Estiva is in A minor, or 8A on the Camelot wheel.

What BPM is Playing With Fire - Alex Klingle Radio Mix?

Playing With Fire - Alex Klingle Radio Mix runs at 130 BPM, a peak-time tempo track.

What mixes well with Playing With Fire - Alex Klingle Radio Mix?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Playing With Fire - Alex Klingle Radio Mix good for peak time?

With energy 95 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More progressive house

More from Estiva

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track