Swedish Beatballs - Original Mix
30s preview
- BPM
- 129
- Open Key
- 8m
- Energy
- 96/100
- Pop
- 6/100
- Length
- 9:37
- Released
- 2008
- Album
- Swedish Beatballs
- Genre
- Progressive House
- Label
- Coldharbour Recordings Red
- Loudness
- -4.9 dB
- Dynamics
- 12.0 dB
- ISRC
- NLF710800199
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Swedish Beatballs - Max Graham Remixremix4A · 128
Swedish Beatballs - Original Mix: peak-time tempo progressive house, B♭ minor (3A), 129 BPM. It reads as dark and driving. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. Less groove-driven than 99% of Marcus Schössow's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 94% of Marcus Schössow's catalogue
- Reach:
- better known than 91% of Marcus Schössow's catalogue
- Tempo:
- faster than 78% of Marcus Schössow's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Swedish Beatballs - Original Mix in?
Swedish Beatballs - Original Mix by Marcus Schössow is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Swedish Beatballs - Original Mix?
Swedish Beatballs - Original Mix runs at 129 BPM, a peak-time tempo track.
What mixes well with Swedish Beatballs - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Swedish Beatballs - Original Mix good for peak time?
With energy 96 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 129 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More progressive house
More from Marcus Schössow
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
