Scatta (feat. Foreign Beggars & Bare Noize)
30s preview
- Key
- 8B · C major
- BPM
- 140
- Half-time
- 70
- Open Key
- 1d
- Energy
- 93/100
- Pop
- 10/100
- Length
- 3:55
- Released
- 2010
- Album
- Scary Monsters And Nice Sprites
- Genre
- Progressive House
- Label
- Mau5trap Recordings
- Loudness
- -5.2 dB
- Dynamics
- 10.5 dB
- ISRC
- GBTDG1000199
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in C major (8B), Scatta (feat. Foreign Beggars & Bare Noize) is a driving up-tempo progressive house production. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. More underground than 81% of Skrillex's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Scatta (feat. Foreign Beggars & Bare Noize) in?
Scatta (feat. Foreign Beggars & Bare Noize) by Skrillex is in C major, or 8B on the Camelot wheel.
What BPM is Scatta (feat. Foreign Beggars & Bare Noize)?
Scatta (feat. Foreign Beggars & Bare Noize) runs at 140 BPM, a driving up-tempo track.
What mixes well with Scatta (feat. Foreign Beggars & Bare Noize)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Scatta (feat. Foreign Beggars & Bare Noize) good for peak time?
With energy 93 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 140 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More progressive house
More from Skrillex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
