Flashing Lights - KillSonik Remix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 5d
- Energy
- 88/100
- Pop
- 5/100
- Length
- 4:41
- Released
- 2011
- Album
- Flashing Lights
- Genre
- Dubstep
- Label
- Mercury
- Loudness
- -3.7 dB
- Dynamics
- 11.4 dB
- ISRC
- GBUM71203188
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Flashing Lights - Mac Miller Remixremix9A · 140
- Flashing Lightsoriginal9A · 140
- Flashing Lights (radio edit)version9A · 140
- Flashing Lights - S.P.Y. Remixremix10A · 174
Against the original (9A at 140 BPM), this version holds the same tempo and moves the key from 9A to 12B.
At 140 BPM in E major (12B), Flashing Lights - KillSonik Remix is a driving up-tempo dubstep production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. Less groove-driven than 93% of Sub Focus's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 81% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Flashing Lights - KillSonik Remix in?
Flashing Lights - KillSonik Remix by Sub Focus is in E major, or 12B on the Camelot wheel.
What BPM is Flashing Lights - KillSonik Remix?
Flashing Lights - KillSonik Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Flashing Lights - KillSonik Remix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Flashing Lights - KillSonik Remix good for peak time?
With energy 88 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 140 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More dubstep
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
