The Sky Below
30s preview
- Key
- 7A · D minor
- BPM
- 142
- Half-time
- 71
- Open Key
- 12m
- Energy
- 83/100
- Pop
- 7/100
- Length
- 5:11
- Released
- 2024
- Genre
- Progressive House
- Loudness
- -8.4 dB
- Dynamics
- 21.9 dB
- ISRC
- GBEWA2504984
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Sky Beloworiginal7A · 124
- The Sky Below - Maty Owl Remixremix6A · 124
- The Sky Below - Maty Owl Extended Mixversion10B · 124
- The Sky Below - Denham Audio Remixremix7A · 142
- The Sky Below - Chill Mixoriginal7A · 124
At 142 BPM in D minor (7A), The Sky Below is a driving up-tempo progressive house production. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 22 dB). More treble-tilted than 99% of Jody Wisternoff's catalogue.
- Tempo:
- faster than 97% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 16%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is The Sky Below in?
The Sky Below by Jody Wisternoff is in D minor, or 7A on the Camelot wheel.
What BPM is The Sky Below?
The Sky Below runs at 142 BPM, a driving up-tempo track.
What mixes well with The Sky Below?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is The Sky Below good for peak time?
With energy 83 out of 100 at 142 BPM, it works best as a floor-filler.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 142 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
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More progressive house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
