En Cascade - Original Mix
30s preview
- Key
- 6A · G minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 11m
- Energy
- 52/100
- Pop
- 32/100
- Length
- 4:50
- Released
- 2014
- Album
- En Cascade
- Genre
- House
- Loudness
- -11.1 dB
- Dynamics
- 22.1 dB
- ISRC
- GBKQU1492482
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
En Cascade - Original Mix: driving up-tempo house, G minor (6A), 140 BPM. It reads as dark and steady. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 22 dB). A 2014 production that still circulates in sets. Faster than 99% of Stereoclip's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 99% of Stereoclip's catalogue
- Brightness:
- darker than 90% of Stereoclip's catalogue
- Groove:
- less groove-driven than 88% of Stereoclip's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 16%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is En Cascade - Original Mix in?
En Cascade - Original Mix by Stereoclip is in G minor, or 6A on the Camelot wheel.
What BPM is En Cascade - Original Mix?
En Cascade - Original Mix runs at 140 BPM, a driving up-tempo track.
What mixes well with En Cascade - Original Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is En Cascade - Original Mix good for peak time?
With energy 52 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 140 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More house
More from Stereoclip
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
