
Buat Seorang Kekasih
30s preview
- Key
- 5A · C minor
- BPM
- 139
- Open Key
- 10m
- Energy
- 42/100
- Pop
- 47/100
- Length
- 5:33
- Released
- 2015
- Album
- Slam
- Genre
- House
- Label
- DDT Banaketak
- Loudness
- -12.2 dB
- Dynamics
- 13.5 dB
- ISRC
- MYUM71200071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Buat Seorang Kekasih - Liveoriginal10A · 138
A driving up-tempo house cut, Buat Seorang Kekasih sits in C minor (5A) at 139 BPM. It reads as dark and steady. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. Better known than 97% of Slam's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 90% of Slam's catalogue
- Groove:
- less groove-driven than 79% of Slam's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Buat Seorang Kekasih in?
Buat Seorang Kekasih by Slam is in C minor, or 5A on the Camelot wheel.
What BPM is Buat Seorang Kekasih?
Buat Seorang Kekasih runs at 139 BPM, a driving up-tempo track.
What mixes well with Buat Seorang Kekasih?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Buat Seorang Kekasih good for peak time?
With energy 42 out of 100 at 139 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 139 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 139 — beatmatch without a big tempo pull.
More house
More from Slam
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.