Kembali Terjalin by Slam cover art

Kembali Terjalin

Slam

30s preview

Key
7A · D minor
BPM
133
Open Key
12m
Energy
41/100
Pop
52/100
Length
6:02
Released
2015
Album
Kesan Terbukti
Genre
House
Label
Johan Sound Production
Loudness
-12.0 dB
Dynamics
14.6 dB
ISRC
MYUM71200037

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo house cut, Kembali Terjalin sits in D minor (7A) at 133 BPM. Tonally it lands dark and steady. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. Better known than 98% of Slam's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
calmer than 91% of Slam's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy41
Mood23Dark
Groove59
Acoustic58
Instrumental0
Live26
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Kembali Terjalin in?

Kembali Terjalin by Slam is in D minor, or 7A on the Camelot wheel.

What BPM is Kembali Terjalin?

Kembali Terjalin runs at 133 BPM, a peak-time tempo track.

What mixes well with Kembali Terjalin?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Kembali Terjalin good for peak time?

With energy 41 out of 100 at 133 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 133 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 133 — beatmatch without a big tempo pull.

More house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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