Floating by DVS1 cover art

Floating

DVS1

30s preview

Key
3A · B♭ minor
BPM
135
Open Key
8m
Energy
42/100
Pop
0/100
Length
5:21
Released
2009
Genre
Techno
Loudness
-13.4 dB
Dynamics
9.6 dB
ISRC
DEMM41201209

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 135 BPM in B♭ minor (3A), Floating is a driving up-tempo techno production. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of DVS1's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 89% of DVS1's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy42
Mood40Balanced
Groove76
Acoustic8
Instrumental92
Live9
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
47%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
8%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Floating in?

Floating by DVS1 is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Floating?

Floating runs at 135 BPM, a driving up-tempo track.

What mixes well with Floating?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Floating good for peak time?

With energy 42 out of 100 at 135 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More techno

#Track

More from DVS1

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track