Not There - Chris Liebing Remix
30s preview
- BPM
- 135
- Open Key
- 8m
- Energy
- 49/100
- Pop
- 12/100
- Length
- 7:02
- Released
- 2022
- Album
- Listen & Nisida (Remixed) Vol. 1
- Genre
- Techno
- Loudness
- -12.2 dB
- Dynamics
- 7.5 dB
- ISRC
- BEN582100912
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Not There - Chris Liebing Remix is a driving up-tempo techno track in B♭ minor (3A) at 135 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 91% of Chris Liebing's catalogue.
- Reach:
- better known than 87% of Chris Liebing's catalogue
- Low end:
- more bass-heavy than 79% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Not There - Chris Liebing Remix in?
Not There - Chris Liebing Remix by Chris Liebing is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Not There - Chris Liebing Remix?
Not There - Chris Liebing Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Not There - Chris Liebing Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Not There - Chris Liebing Remix good for peak time?
With energy 49 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Massacre - ARTCØRE [TECHNO] Remix by Marco Ginelli cover art](https://i.scdn.co/image/ab67616d00001e0226deeefb6edae07ac5242525){kind=small}
How to mix it
In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
