Roy Batty by Chris Liebing cover art

Roy Batty

Chris Liebing

30s preview

Key
4A · F minor
BPM
136
Open Key
9m
Energy
87/100
Pop
29/100
Length
5:14
Released
2026
Genre
Techno
Label
CLR
Loudness
-7.8 dB
Dynamics
17.5 dB
ISRC
DEBE72600004

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 136 BPM in F minor (4A), Roy Batty is a driving up-tempo techno production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). Better known than 96% of Chris Liebing's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 96% of Chris Liebing's catalogue
Brightness:
darker than 79% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood6Dark
Groove60
Acoustic0
Instrumental87
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Roy Batty in?

Roy Batty by Chris Liebing is in F minor, or 4A on the Camelot wheel.

What BPM is Roy Batty?

Roy Batty runs at 136 BPM, a driving up-tempo track.

What mixes well with Roy Batty?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Roy Batty good for peak time?

With energy 87 out of 100 at 136 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 136 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

#Track

More techno

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#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track