I Learned That on the Street
30s preview
- Key
- 1B · B major
- BPM
- 136
- Open Key
- 6d
- Energy
- 88/100
- Pop
- 0/100
- Length
- 5:13
- Released
- 2020
- Genre
- Techno
- Loudness
- -6.3 dB
- Dynamics
- 11.9 dB
- ISRC
- DEPI82010331
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Learned That on the Streetoriginal1B · 136
I Learned That on the Street runs 136 BPM in B major (1B), a driving up-tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Héctor Oaks's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I Learned That on the Street in?
I Learned That on the Street by Héctor Oaks is in B major, or 1B on the Camelot wheel.
What BPM is I Learned That on the Street?
I Learned That on the Street runs at 136 BPM, a driving up-tempo track.
What mixes well with I Learned That on the Street?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is I Learned That on the Street good for peak time?
With energy 88 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 136 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More techno
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More from Héctor Oaks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
