En La Cruz by Héctor Oaks cover art

En La Cruz

Héctor Oaks

30s preview

Key
12A · D♭ minor
BPM
147
Half-time
74
Open Key
5m
Energy
99/100
Pop
32/100
Length
4:26
Released
2025
Genre
Hard Techno
Label
STROBÖ
Loudness
-4.6 dB
Dynamics
9.7 dB
ISRC
NLE802500129

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

En La Cruz runs 147 BPM in D♭ minor (12A), a fast hard techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 96% of Héctor Oaks's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 95% of Héctor Oaks's catalogue
Energy:
hotter than 93% of Héctor Oaks's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood31Dark
Groove64
Acoustic0
Instrumental86
Live54
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is En La Cruz in?

En La Cruz by Héctor Oaks is in D♭ minor, or 12A on the Camelot wheel.

What BPM is En La Cruz?

En La Cruz runs at 147 BPM, a fast track.

What mixes well with En La Cruz?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is En La Cruz good for peak time?

With energy 99 out of 100 at 147 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 147 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 138-156 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 147 — beatmatch without a big tempo pull.

More hard techno

#Track

More from Héctor Oaks

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 147 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track