WELCOME TO NINGUNA PARTE by Héctor Oaks cover art

WELCOME TO NINGUNA PARTE

Héctor Oaks

30s preview

Key
4B · A♭ major
BPM
149
Half-time
75
Open Key
9d
Energy
96/100
Pop
36/100
Length
3:46
Released
2024
Genre
Techno
Loudness
-5.6 dB
Dynamics
10.3 dB
ISRC
DGA0P2478291

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

WELCOME TO NINGUNA PARTE runs 149 BPM in A♭ major (4B), a fast techno record. It reads as bright and euphoric. It is vocal-led. Better known than 98% of Héctor Oaks's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 97% of Héctor Oaks's catalogue
Brightness:
brighter than 94% of Héctor Oaks's catalogue
Low end:
more treble-tilted than 92% of Héctor Oaks's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood67Bright
Groove70
Acoustic4
Instrumental12
Live63
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is WELCOME TO NINGUNA PARTE in?

WELCOME TO NINGUNA PARTE by Héctor Oaks is in A♭ major, or 4B on the Camelot wheel.

What BPM is WELCOME TO NINGUNA PARTE?

WELCOME TO NINGUNA PARTE runs at 149 BPM, a fast track.

What mixes well with WELCOME TO NINGUNA PARTE?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is WELCOME TO NINGUNA PARTE good for peak time?

With energy 96 out of 100 at 149 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#Track

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 149 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 140-158 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 149 — beatmatch without a big tempo pull.

#Track

More techno

#Track

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 149 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track